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The 2001 Tiananmen Square self-immolation incident took place in Tiananmen Square in central Beijing, on the eve of Chinese New Year on 23 January 2001. There is controversy over the incident; Chinese government sources say that five members of Falun Gong, a religious movement that is banned in mainland China, set themselves on fire in the square. Falun Gong sources disputed the accuracy of these portrayals, and claimed that their teachings explicitly forbid violence or suicide. Some journalists have claimed that the self-immolations were staged.
According to Chinese state media, a group of seven people had travelled to Beijing from Henan province, and five set themselves on fire on Tiananmen Square. In the Chinese press, the event was used as proof of the dangers of Falun Gong, and was used to legitimise the government's campaign against the group. (Full article...)
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Nicole Cooke, gold medalist
The women's road race was one of the cycling events at the 2008 Summer Olympics in Beijing, China. It took place on 10 August 2008, featuring 66 women from 33 countries. It was the seventh appearance of an Olympic women's road race event and featured a longer course than any of the previous six races. The race was run on the Urban Road Cycling Course (one of Beijing's nine temporary venues), which is 102.6 kilometres (63.8 mi) total. Including a second lap around the 23.8 km (14.8 mi) final circuit, the total distance of the women's race was 126.4 km (78.5 mi), less than half the length of the men's race.
Heavy rain during most of the race made conditions difficult for the competitors. A group of five broke away during the final lap and worked together until the final sprint, where Nicole Cooke won the race. Cooke earned Great Britain's first medal at these Games and 200th Olympic gold medal overall. Emma Johansson of Sweden and Tatiana Guderzo of Italy, finishing second and third place with the same time as Cooke, received silver and bronze medals respectively. (Full article...)
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A stamp of Zhang Heng issued by China Post in 1955
Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. (Full article...)
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Rioters besieging a bus in Tianshan, Ürümqi, attacking escaping Han passengers with sticks.
A series of violent riots over several days broke out on 5 July 2009 in Ürümqi, the capital city of the Xinjiang Uyghur Autonomous Region, in northwestern China. The first day's rioting, which involved at least 1,000 Uyghurs, began as a protest, but escalated into violent attacks that mainly targeted Han people. According to Chinese state media, a total of 197 people died, most of whom were Han people or non-Muslim minorities, with 1,721 others injured and many vehicles and buildings destroyed. Many Uyghurs disappeared during wide-scale police sweeps in the days following the riots; Human Rights Watch (HRW) documented 43 cases and said figures for real disappearances were likely to be much higher.
Rioting began following the Shaoguan incident, where false accusations of rape of a Han woman by Uyghur men led to a brawl between ethnic Han and Uyghur factory workers in Shaoguan, resulting in the deaths of two Uyghurs who were both from Xinjiang. The Chinese government claimed that the riots were planned from abroad by the World Uyghur Congress (WUC) and its leader Rebiya Kadeer. Kadeer denies fomenting the violence. (Full article...)
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A Yuan-era stele in the ruins of the Cross Temple. Another stele (left) and some scattered groundwork (right) are visible in the background.
The Cross Temple (Chinese: 十字寺; pinyin: Shízì sì) is a former place of worship in Fangshan, Beijing. The temple was used during different periods by Buddhists and early Chinese Christians. Though it was originally built as a Buddhist temple, some scholars hypothesise that it saw Christian use during the Tang dynasty (618–907). The temple was used by Buddhists during the Liao dynasty (916–1125) and by Christians during the Yuan dynasty (1271–1368). It returned to Buddhist use during the Ming dynasty (1368–1644), before being sold in 1911. It was first recorded in modern scholarship in 1919, damaged during the Cultural Revolution, and re-established as a national-level protected site in 2006. Some scholars consider it to be the only place of worship of the Church of the East (also known as Nestorian Christianity) discovered in China.
Today, the site features two ancient steles, as well as groundwork and the bases of several pillars. The steles date to the Liao and Yuan dynasties, but their inscriptions were tampered with during the Ming. During the early 20th century, two stone blocks carved with crosses and other patterns were also discovered at the site, with one of them also bearing an inscription in Syriac. The blocks are presently on display at the Nanjing Museum. (Full article...)
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
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Jin dynasty (blue) and Song dynasty (orange) in 1141
The Jin–Song Wars were a series of conflicts between the Jurchen-led Jin dynasty (1115–1234) and the Han-led Song dynasty (960–1279). In 1115, Jurchen tribes rebelled against their overlords, the Khitan-led Liao dynasty (916–1125), and declared the formation of the Jin. Allying with the Song against their common enemy the Liao dynasty, the Jin promised to cede to the Song the Sixteen Prefectures that had fallen under Liao control since 938. The Song agreed but the Jin's quick defeat of the Liao combined with Song military failures made the Jin reluctant to cede territory. After a series of negotiations that embittered both sides, the Jurchens attacked the Song in 1125, dispatching one army to Taiyuan and the other to Bianjing (modern Kaifeng), the Song capital.
Surprised by news of an invasion, Song general Tong Guan retreated from Taiyuan, which was besieged and later captured. As the second Jin army approached the capital, Song emperor Huizong abdicated and fled south. Qinzong, his eldest son, was enthroned. The Jin dynasty laid siege to Kaifeng in 1126, but Qinzong negotiated their retreat from the capital by agreeing to a large annual indemnity. Qinzong reneged on the deal and ordered Song forces to defend the prefectures instead of fortifying the capital. The Jin resumed war and again besieged Kaifeng in 1127. They captured Qinzong, many members of the imperial family and high officials of the Song imperial court in an event known as the Jingkang Incident. This separated north and south China between Jin and Song. Remnants of the Song imperial family retreated to southern China and, after brief stays in several temporary capitals, eventually relocated to Lin'an (modern Hangzhou). The retreat divided the dynasty into two distinct periods, Northern Song and Southern Song. (Full article...)
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The Ming dynasty considered Tibet to be part of the Western Regions. While the Ming dynasty at its height had some degree of influence in Tibet, the exact nature of their relations is under dispute by modern scholars. Analysis of the relationship is further complicated by modern political conflicts and the application of Westphalian sovereignty to a time when the concept did not exist. The Historical Status of China's Tibet, a book published by the People's Republic of China, asserts that the Ming dynasty had unquestioned sovereignty over Tibet by pointing to the Ming court's issuing of various titles to Tibetan leaders, Tibetans' full acceptance of the titles, and a renewal process for successors of these titles that involved traveling to the Ming capital. Scholars in China also argue that Tibet has been an integral part of China since the 13th century and so it was a part of the Ming Empire. However, most scholars outside China, such as Turrell V. Wylie, Melvyn C. Goldstein, and Helmut Hoffman, say that the relationship was one of suzerainty, Ming titles were only nominal, Tibet remained an independent region outside Ming control, and it simply paid tribute until the Jiajing Emperor, who ceased relations with Tibet.
Some scholars note that Tibetan leaders during the Ming frequently engaged in civil war and conducted their own foreign diplomacy with neighboring states such as Nepal. Some scholars underscore the commercial aspect of the Ming–Tibetan relationship, noting the Ming dynasty's shortage of horses for warfare and thus the importance of the horse trade with Tibet. Others argue that the significant religious nature of the relationship of the Ming court with Tibetan lamas is underrepresented in modern scholarship. (Full article...)
St. Michael's Cathedral is the product of a strong German presence in Shandong Province in the 19th and early 20th centuries. In the mid-19th century the European powers forcibly opened China to foreign trade. The Divine Word Missionaries built a church in the Jiaozhou Bay concession in Shandong in 1902, and in 1934 erected the cathedral, which remained nominally under their administration until 1964. In 1942 it came under the control of the Japanese Army, returning to Chinese control when the Japanese left Qingdao in 1945. In the early 1950s, all foreign missionaries, including the Bishop of Qingdao, were either imprisoned or expelled from China, and during the Cultural Revolution (1966–1976) the cathedral was defaced and abandoned. In 1981, it was repaired by the government and reopened for services, and in 1992 it was listed as a Provincial Historic Building by the government of Shandong Province. (Full article...)
The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
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A Western Han painted ceramic jar with raised reliefs of dragons, phoenixes, and taotie designs The Han dynasty (202 BC – 220 AD) was the second imperial dynasty of China, following the Qin dynasty (221–207 BC). It was divided into the periods of Western (Former) Han (202 BC – 9 AD) and Eastern (Later) Han (25–220 AD), briefly interrupted by the Xin dynasty (9–23 AD) of Wang Mang. The capital of Western Han was Chang'an, and the capital of Eastern Han was Luoyang. The emperor headed the government, promulgating all written laws, serving as commander-in-chief of the armed forces, and presiding as the chief executive official. He appointed all government officials who earned a salary of 600 bushels of grain or more (though these salaries were largely paid in coin cash) with the help of advisors who reviewed each nominee. The empress dowager could either be the emperor's actual or symbolic mother, and was in practice more respected than the emperor, as she could override his decisions; she can even make decisions on behalf of the emperor in dilemma matters of the country or for the order and continuation of the dynasty, even if necessary, with the support of the courtiers, she would decide on his successor or his dismissal. Although such a challenge was raised by the empress dowager to the emperor during the emperor's youth or incapacity. The emperor's executive powers could also be practiced by any official upon whom he bestowed the Staff of Authority. These powers included the right to execute criminals without the imperial court's permission.
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
In his Dream Pool Essays or Dream Torrent Essays (夢溪筆談; Mengxi Bitan) of 1088, Shen was the first to describe the magnetic needle compass, which would be used for navigation (first described in Europe by Alexander Neckam in 1187). Shen discovered the concept of true north in terms of magnetic declination towards the north pole, with experimentation of suspended magnetic needles and "the improved meridian determined by Shen's [astronomical] measurement of the distance between the pole star and true north". This was the decisive step in human history to make compasses more useful for navigation, and may have been a concept unknown in Europe for another four hundred years (evidence of German sundials made circa 1450 show markings similar to Chinese geomancers' compasses in regard to declination). (Full article...)
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Rob-B-Hood (traditional Chinese: 寶貝計劃; simplified Chinese: 宝贝计划, also known as Robin-B-Hood, literally: Baby Project) is a 2006 Hong Kong actioncomedydrama film written, produced and directed by Benny Chan, feature an ensemble cast include Jackie Chan, Louis Koo, Yuen Biao, Michael Hui, Gao Yuanyuan, Charlene Choi, Chen Baoguo and Matthew Medvedev. It tells the story of a kidnapping gone wrong in Hong Kong; a trio of burglars consisting of Thongs (Chan), Octopus (Koo) and the Landlord (Hui) kidnap a baby from a wealthy family on behalf of triads. With the Landlord arrested, Thongs and Octopus take care of the baby for a short time, developing strong bonds with him. Reluctant to hand the baby over, the two are forced to protect him from the triads who hired them in the first place.
Originally announced in 2005, the film marked Benny Chan's third collaboration with Jackie Chan, following Who Am I? and New Police Story. It was produced with a budget of HK$16.8 million and filming took place in Hong Kong between December 2005 and January 2006. Rob-B-Hood is the first film in over 30 years in which Jackie Chan plays as a thief. (Full article...)
Chinese aristocrat cuisine (Chinese: 官府菜; pinyin: guānfǔ cài) traces its origin to the Ming and Qing dynasties when imperial officials stationed in Beijing brought their private chefs and such different varieties of culinary styles mixed and developed over time to form a unique breed of its own, and thus the Chinese aristocrat cuisine is often called private cuisine. The current Chinese aristocrat cuisine is a mixture of Shandong cuisine, Huaiyang cuisine and Cantonese cuisine. As Beijing was the capital of the last three Chinese dynasties, most of the Chinese aristocrat cuisine originated in Beijing. Currently, there are a total of nine varieties of Chinese aristocrat cuisine. (Full article...)
The economies of all three cities are highly developed and serve as attractive investment locations within China. Many major international companies have factories or branches in the region, including Microsoft, Ford Motors, Citigroup, and over 200 other Fortune 500 companies. (Full article...)
The fungus can be found throughout the year in Europe, where it normally grows on wood of broadleaf trees and shrubs. Auricularia auricula-judae was used in folk medicine as recently as the 19th century for complaints including sore throats, sore eyes and jaundice, and as an astringent. It is edible but not widely consumed. (Full article...)
Lewis Hamilton was the defending race winner and went into the weekend with a three-point lead in the World Drivers' Championship over Sebastian Vettel, who had surprised the field by taking victory in the previous round at Malaysia. Hamilton took pole position during Saturday's qualifying, the 41st of his career and the third in a row. He went on to win the race from his teammate Nico Rosberg. (Full article...)
Tsou was a strong advocate against academic fraud and pseudoscience, and led a public campaign against what he called "unhealthy practices" such as administrators' interference in scientific research. (Full article...)
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Xi'an City Wall
The fortifications of Xi'an (Chinese: 西安城墙), also known as Xi'an City Wall, in Xi'an, represent one of the oldest, largest and best preserved Chinese city walls. It was built under the rule of the Hongwu Emperor Zhu Yuanzhang as a military defense system. It exhibits the "complete features of the rampart architecture of feudal society". It has been refurbished many times since it was built in the 14th century, thrice at intervals of about 200 years in the later half of the 1500s and 1700s, and in recent years in 1983. The wall encloses an area of about 14 square kilometres (5.4 sq mi).
The Xi'an City Wall is on the tentative list of UNESCO's World Heritage Site under the title "City Walls of the Ming and Qing Dynasties". Since 2008, it is also on the list of the State Administration of Cultural Heritage of the People's Republic of China. Since March 1961, the Xi'an City Wall is a heritage National Historical and Cultural Unit. (Full article...)
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Daisy Yen Wu (Chinese: 吴严彩韵, 12 June 1902 – 27 May 1993) was the first Chinese woman engaged as an academic researcher in biochemistry and nutrition. Born into a wealthy industrial family in Shanghai, from a young age she was tutored in English and encouraged to study. She graduated from Nanjing Jinling Women's University in 1921 and then studied in the United States, graduating with a master's degree in biochemistry from Teachers College, Columbia University in 1923. Returning to China, she became an assistant professor at Peking Union Medical College between 1923 and her marriage at the end of 1924 to Hsien Wu. Collaborating with him, she conducted research on proteins and studied nutrition. After their marriage she continued to assist in the research conducted by Wu as an unpaid staff member until 1928. She and her husband collaborated in writing the first Chinese textbook on nutrition, which remained in print through the 1990s.
While raising their children, Yen Wu recognized that educational opportunities were limited and founded the Mingming School (Chinese: 明明学校) in 1934 to provide a modern comprehensive education for Chinese children. She also raised funds in 1936 to build a school hospital for their alma mater, the Jinling Women's College, and earned a degree in French. In 1949, as her husband was in the United States and unable to return because of the Chinese Communist Revolution, she took the children abroad. Hired as a researcher for the Medical College of Alabama, she resumed collaboration with her husband, until his death in 1959. Moving to New York City in 1960, she conducted research for the United Nations Children's Fund to develop nutritional standards from 1960 to 1964. From 1964 to 1971 she worked as a lecturer and created a reference library for the Institute of Human Nutrition at Columbia University College of Physicians and Surgeons and from 1971 to 1987 she worked at St. Luke's Hospital Center, creating a library for the New York Obesity Research Center. Throughout her life, Yen Wu created numerous scholarships in China, Taiwan, and the United States which bear the name of family members and allow students to further their education. She died in 1993 in Ithaca, New York. (Full article...)
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Monks assembled outside the Sera Me Tratsang college of Sera Monastery in India in December 2006.
The origin of its name is attributed to a fact that during construction, the hill behind the monastery was covered with blooming wild roses (or "sera" in Tibetan). (An alternate etymology holds that the location that was surrounded by raspberry shrubs called 'Sewa' in Tibetan, that formed like a 'Rawa' in Tibetan, meaning "Fence".) (Full article...)
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Lum You
Lum You (c. 1861 – January 31, 1902)—sometimes spelled Lum Yu—was an immigrant Chinese laborer and convicted murderer in the Pacific Northwest. He is famous for being the only person to have been legally executed in Pacific County, Washington, and for his death rowprison break supposedly arranged by the very jailers charged with his captivity. (Full article...)
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The Third Battle of Seoul was a battle of the Korean War, which took place from December 31, 1950, to January 7, 1951, around the South Korean capital of Seoul. It is also known as the Chinese New Year's Offensive, the January–Fourth Retreat (Korean: 1·4 후퇴) or the Third Phase Campaign Western Sector (Chinese: 第三次战役西线; pinyin: Dì Sān Cì Zhàn Yì Xī Xiàn).
The First Battle of Maryang-san (3–8 October 1951), also known as the Defensive Battle of Maliangshan (Chinese: 馬良山防衛戰; pinyin: Mǎliáng Shān Fángyù Zhàn), was fought during the Korean War between United Nations Command (UN) forces—primarily Australian, British and Canadian—and the Chinese People's Volunteer Army (PVA). The fighting occurred during a limited UN offensive by US I Corps, codenamed Operation Commando. This offensive ultimately pushed the PVA back from the Imjin River to the Jamestown Line and destroyed elements of four PVA armies following heavy fighting. The much smaller battle at Maryang-san took place over a five-day period, and saw the 1st Commonwealth Division dislodge a numerically superior PVA force from the tactically important Kowang-san (Hill 355), Hill 187, and Maryang-san (Hill 317, a.k.a. Hill 315) features.
Using tactics first developed against the Japanese in New Guinea during the Second World War, the Australians gained the advantage of the high ground and assaulted the PVA positions from unexpected directions. They then repelled repeated PVA counterattacks aimed at re-capturing Maryang San and Kowang-san (the latter on 12 October), with both sides suffering heavy casualties before the Australians were finally relieved by a British battalion. However, with the peace-talks ongoing, these operations proved to be the last actions in the war of manoeuvre, which had lasted the previous sixteen months. It was replaced by a static war characterised by fixed defences reminiscent of the Western Front in 1915–17. A month later, the PVA re-captured Maryang San during fierce fighting, and it was never re-gained. Today, the battle is widely regarded as one of the Australian Army's greatest accomplishments during the war. (Full article...)
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Performing rituals for the 2020 Chinese New Year's eve in Indonesia
Chinese people and their Indonesian descendants have lived in the Indonesian archipelago since at least the 13th century. Many came initially as sojourners (temporary residents), intending to return home in their old age. Some, however, stayed in the region as economic migrants. Their population grew rapidly during the colonial period when workers were contracted from their home provinces in Southern China. (Full article...)
Written Chinese is a writing system that uses Chinese characters and other symbols to represent the Chinese languages. Chinese characters do not directly represent pronunciation, unlike letters in an alphabet or syllabograms in a syllabary. Rather, the writing system is morphosyllabic: characters are one spoken syllable in length, but generally correspond to morphemes in the language, which may either be independent words, or part of a polysyllabic word. Most characters are constructed from smaller components that may reflect the character's meaning or pronunciation. Literacy requires the memorization of thousands of characters; college-educated Chinese speakers know approximately 4,000. This has led in part to the adoption of complementary transliteration systems (generally Pinyin) as a means of representing the pronunciation of Chinese.
Chinese writing is first attested during the late Shang dynasty (c. 1250 – c. 1050 BCE), but the process of creating characters is thought to have begun centuries earlier during the Late Neolithic and early Bronze Age (c. 2500–2000 BCE).[1] After a period of variation and evolution, Chinese characters were standardized under the Qin dynasty (221–206 BCE). Over the millennia, these characters have evolved into well-developed styles of Chinese calligraphy. As the varieties of Chinese diverged, a situation of diglossia developed, with speakers of mutually unintelligible varieties able to communicate through writing using Literary Chinese. In the early 20th century, Literary Chinese was replaced in large part with written vernacular Chinese, largely corresponding to Standard Chinese, a form based on the Beijing dialect of Mandarin. Although most other varieties of Chinese are not written, there are traditions of written Cantonese, written Shanghainese and written Hokkien, among others. (Full article...)
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The North West Coast during the maritime fur trade era, about 1790 to 1840
The trade mostly serviced the market in Qing China, which imported furs and exported tea, silks, porcelain, and other Chinese goods, which were then sold in Europe and in the United States. (Full article...)
Mulan was the first of three features produced primarily at the Disney animation studio at Disney-MGM Studios (now Disney's Hollywood Studios) in Bay Lake, Florida. Development for the film began in 1994, when a number of artistic supervisors were sent to China to receive artistic and cultural inspiration. (Full article...)
Image 27Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 28Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 30Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 31People's Republic of China 10th Anniversary Parade in Beijing (from History of China)
Image 32Dragon Tea Pot, Republic of China (from Chinese culture)
Image 57Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
The second of two tariff rounds go into effect in the United States containing country-specific tariffs on goods into the country, including a 104% tariff on Chinese imports. The first round of 10% blanket tariffs previously came into effect on April 5. (Reuters)
China's finance ministry announces an increase from the previous 34% tariff to an 84% tariff on all goods imported from the U.S. (BBC News)
President Trump announces plans to impose a 50% tariff on China, escalating to a total of 104% if China does not revoke its 34% reciprocal tariff on all American goods within a day. China rejects the ultimatum, maintains its reciprocal tariffs, and states its intention to match any further escalation. (CNBC)(NBC News)(AFP via Barron's)(Reuters)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).